The Camden Fringe is almost upon us, providing one of the best times in the capital to get into Fringe theatre, and the stories it can tell. To get prepared for the festival, Read About Stuff is running a ‘Five From The Fringe’ interview series, where creative teams answer five questions about their upcoming Festival shows.
In this interview, I chat to Sushant Nair about their new show 21 Days.
Can you tell me a little about your show and what audiences can expect?
21 Days is a dark comedy set in 2030. It is about a man, Jay, who attempts to reset his life after a break-up, but spirals into rage, isolation and alcohol dependency. In a technology-driven world, his search for connection falters against self-destruction. When May, an enigmatic flatmate, enters, their uneasy cohabitation begins to challenge his outlook.
The play offers a timely commentary on the modern world, where we are constantly surrounded by technology yet increasingly struggle with genuine human connection.
Blending contemporary drama with humour, it explores themes of humanity, self-assurance and personal growth.
What drew you to this specific story, and why does it belong at the Camden Fringe?
The story began with a simple observation about the increasing role of technology in our lives, particularly the rapid advancement of generative AI. I found myself repeatedly asking whether curiosity and introspection could encourage us to reflect on our actions, think more logically, and ultimately become better versions of ourselves.
The Camden Fringe is the perfect platform for trying out new writing and experimenting with new ideas. With over 440 shows on offer this year, it will be exciting to see how audiences interpret a story that blends humour and drama to explore the relationship between humanity and technology, all within the confines of a simple stage setting.
What has been the biggest challenge in bringing this production to life?
I believe the biggest challenge for me has been striking the right balance between comedy and drama. I have spent a great deal of time considering why this story needs to be told and how to communicate its message without becoming preachy. My hope is that people leave the theatre discussing its themes and reflecting on its key message.
How does the design of your show (set, sound, or lighting) impact the presentation of your story?
The show places a strong emphasis on technology, yet tells its story through a minimalist approach to props and set design. The lighting and sound have been carefully curated to create an atmosphere of curiosity, helping audiences understand the relationship between the two characters and how their worldviews change over the course of the 60-minute performance.
If you could sum up the show in one word or phrase, what would it be and why?
“As AI learns from itself, humanity must relearn itself”.
I believe this phrase encapsulates the play’s central message: that while technology continues to evolve, our greatest progress comes through human connection, self-belief, personal growth, and the resilience to overcome setbacks and move forward.
21 Days runs at The Cockpit on 9 August, The Courtyard Theatre 13 – 14 August and Etcetera Theatre 15 August. Tickets are available here: https://camdenfringe.com/events/21-days/
